Damon Moore Poetry

Tokyo – ARC Ukiyo-e Database, Metropolitan Museum of Art

Tokyo

Ideally the best form of criticism
is without being noticed
but he’s sighing,
Oh god
across to someone
he obviously knows, is connected with.

She has ear-buds in, matching
unmatching thoughts.
The print could be unreadable
and she wears
petrol-coloured dungarees.

Abruptly they shift chairs
and stand up
having decided no longer do they
require this effort of study.
Packing up their notes
they leave the poetry behind.

It is always left behind.

The Apocalypse

Everyone wants to know
a little about the apocalypse
when politicians
have run out of excuses,
Greta Thunberg having become first
minister of Sweden
and even she couldn’t persuade people.

With copyrights, patents
all lifted, AI given
one last opportunity,
any person separated was permitted
to search for any other.

No-one could bear to wait
to find out
so events accelerated
with streets swelling abnormally
and everyone out on foot
because no-one drove EV’s anymore.
AI needed all the electricity.

Then I spotted
tracking through the crowds
wearing a wide brimmed hat,
green rucksack
a figure I knew could only be you.

Poems about how
humanity will end are unlikely
to feature much love poetry.
But now I see how they can.